Emerging from Wilderness Secrets, Morphosis marks a shift from attentive observation to painterly transformation. While the earlier series remained rooted in identifiable mosses and lichens, here the organic source dissolves. What once belonged to the forest floor now enters a state of continuous becoming.

Wawrzyniuk immerses herself in the internal logic of growth, allowing forms to expand, mutate, and lose their botanical specificity. Species are no longer recognisable. Instead, the viewer encounters clusters of pulsating structures, fluid contours, and luminous bodies suspended against dark, indeterminate spaces.

Colour becomes more intense and atmospheric. Greens, aquamarines, and pale yellows seem to emit their own light, while deep blacks absorb and frame the emergence of these biomorphic constellations. The paintings suggest processes rather than objects — formations caught in transition, as if the canvas records a moment within an ongoing transformation.

In Morphosis, nature is not depicted but reimagined. The works move toward abstraction without severing their organic origin, proposing a vision of life as unstable, porous, and perpetually in flux.